B&W with wide angle lens: Natchitoches and Plaquemines Parishes

This is actually in NOLA, one of the cemeteries in Central City:

St. Joseph cemetery

Slave cabins of Magnolia Plantation near Natchitoches:

Magnolia Plantation

Magnolia Plantation

Grave house at Bay Springs Cemetery in Natchitoches Parish:

Bay Springs Cemetery

Unknown graves at a cemetery in Venice, LA:

Unknown graves

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B&W with wide angle: Plaquemines Parish, LA

The end of LA-23 past the town of Venice:

Dead cypress trees

Plaquemines Parish courthouse in Point a la Hache. This burned down in the 1990s and they’re finally re-building it.

Plaquemines parish courthouse

The clock tower of the courthouse:

Plaquemines Parish courthouse

Harlem Plantation:

Harlem Plantation

From the other side:

Harlem Plantation

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Black & white, various locations

Train depot at Lettsworth:

Lettsworth train depot

Flooded cemetery in Grand Isle:

Flooded cemetery

East Louisiana State Hospital in Jackson:

East Louisiana State Hospital

Same location:

East Louisiana State Hospital

Abandoned church near Jackson:

Abandoned church

Lettsworth:

Lettsworth

Also Lettsworth (there are a lot of abandoned buildings there):

Lettsworth

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Vacation #2: Windsor Ruins, B&W

This is slightly expired Fuji Neopan shot in my wide angle Vivi Ultra W&S knock-off. I shot this combo for the first time last spring and loved it, and this is a good subject for a wide angle lens anyway.

The Windsor Ruins

The Windsor Ruins

The Windsor Ruins

The Windsor Ruins

The Windsor Ruins

This is the last batch of vacation photos, but 2016 is already shaping up to be a busy travel year. I’ve got Krewe of Muses (already booked my Airbnb accommodation for that) and the Little Rock pen show in February; back to Lynchburg for the Monacan powwow in either April or May (they won’t commit to exact dates until it’s a bit closer); and at some point during the year I hope to spend some more time on Dauphin Island. I’ll probably do the Dallas pen show again, too.

My hopefuls for 2017 are FINALLY going to Rocky Ridge Farm in Missouri, and visiting my brother in Chicago (during the Chicago pen show), if he’s still there and if his crazy boyfriend will simmer down long enough.

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Edgard, LA : Pink Slim Dress

This is a roll shot in Edgard that I brought in to be developed at the same time as the “lost” film rolls from last spring, but they neglected to include a photo CD even though I asked for one (and more importantly, PAID for one). So I brought the negatives in when I brought in the 35mm that I shot in New Orleans last weekend and asked them to please remember to put them on CD this time.

The Pink Slim Dress, as I’m sure I’ve mentioned, is the Superheadz knock-off the Vivitar Ultra Wide and Slim, an amazing wide-angle plastic camera from the 1980s/1990s with a 22mm lens that has the unfortunate tendency to break if you so much as breathe on it too hard. The Slim line (it comes in a variety of colors) has preserved the wide-angle plastic lens and the fixed everything—aperture f/11, shutter speed 1/125th second, focus about 1 foot to infinity—while giving the user a body that isn’t so fragile. I don’t use it as often as I do some of my other 35mm cameras, but I’m always pleased with the results when I do.

House on Caire Court

St. John the Baptist Catholic Church and Cemetery

Slave cabins at Evergreen

Slave cabin at Evergreen

10930027

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Pink Slim Dress: LeBeau Plantation, after the fire

The Pink Slim Dress has a dumb name but is an awesome camera. It’s the SuperHeadz knock-off of the Vivitar Ultra Wide & Slim, which it re-created faithfully except for the Viv’s annoying habit of breaking if you breathe on it too hard. It’s great for photographing large buildings, like LeBeau was before a bunch of gas-huffing chucklefucks burned it to the ground–I used it last spring, when Trish and I photographed the house in slightly better days.

LeBeau Plantation, after the fire

LeBeau Plantation, after the fire

LeBeau Plantation, after the fire

LeBeau Plantation, after the fire

LeBeau Plantation, after the fire

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