The Pink Slim Dress has a dumb name but is an awesome camera. It’s the SuperHeadz knock-off of the Vivitar Ultra Wide & Slim, which it re-created faithfully except for the Viv’s annoying habit of breaking if you breathe on it too hard. It’s great for photographing large buildings, like LeBeau was before a bunch of gas-huffing chucklefucks burned it to the ground–I used it last spring, when Trish and I photographed the house in slightly better days.
18 Dec 2013 Leave a comment
15 Dec 2013 Leave a comment
07 Dec 2013 Leave a comment
As previously mentioned, I drove down to Arabi on the Saturday after Thanksgiving and photographed what’s left of LeBeau Plantation. There was police tape strung across the property line along the road, but I just stepped over it. It was obvious I wasn’t there to vandalize the place or anything and I didn’t seriously think anyone would call the po-po on me, but I was technically trespassing on a crime scene so I didn’t hang out. I didn’t rush, but I did my thing and left. (The gaping hole in the chain link at the back of the house is still there, but I guess the damage has been done.)
I also shot film in the LC-A+ and the Ultra Wide & Slim, but didn’t finish the rolls. These are the digital shots.
The whole thing still stank of charred wood. And the property was all muddy even though it hadn’t rained in several days, because they kept the fire hoses on for hours, to make sure it didn’t flare back up.
I think public stocks need to be brought back as punishment for shit like this. Put those morons in them for a week, plunk down a giant bin of rotten vegetables, and let people hurl away. Look, I was young and dumb once, I drank and smoked pot, and obviously I understand the allure of abandoned properties. But holy fuckballs, I never did anything a fraction as stupid or callous as purposely setting fire to a 165-year-old building.
24 Nov 2013 1 Comment
I sold a print of this house, which Trish and I photographed last April, on Friday morning. Which is good, but the reason why I sold it sucks: it burned to the ground about 2:00 in the morning.
The woman who bought the print said her husband grew up across the street from the house and used to play in it as a kid, so she wants to give him the print as a Christmas present. He was one of nine kids, and they all played there as children, so she might be buying more.
No one’s lived there in decades and it has no electricity, so when I heard about it I pretty much figured it had to be arson. But I thought it would turn out be accidental: teens having a bonfire or homeless people trying to stay warm, it got out of hand, oops. Turns out it was deliberately set by a bunch of grown-ass men; they were drunk and smoking pot and trying to “summon ghosts” (the place has a reputation of being haunted, which I’m sure is bullshit), and when they didn’t show up, one of them decided to set the place on fire. You can’t see it, but I’m making the angriest, most disgusted face you ever saw right now.
I never could figure out who owned this property when I researched it earlier in the year; turns out a foundation has owned it since the 1960s with the stated intention of restoring it. They’ve collected about $100 million towards that goal and spent about 1% of it, mostly in the form of huge salaries for themselves. Typical Louisiana corruption, in other words. Too bad they couldn’t have parted with some of that money to hire a night watchman.
It’s a very eerie feeling, to know that something I photographed is gone forever. That must have been how Clarence John Laughlin felt towards the end of his life, going over the plates for Ghosts Along the Mississippi and realizing that about 1/3 of those houses are just gone.
I’d like to go photograph what’s left, but that’s going to have to wait because it’s probably still an active crime scene right now.
01 Aug 2013 Leave a comment
I got another coupon from Adorama a couple weeks ago, $3 (plus $7 shipping) for a 14-page, 8×8″ photo book. Normally the price is $28 plus shipping, and I’ve been wanting to put something together from the abandoned photo series I’ve been working on. It arrived while I was in California, and I’m really pleased with how it came out.
That stripe in the background could have been virtually any color, but I chose to use gray on all the pages so as not to distract.
The only thing I didn’t like about the layout that I picked (there’s a fairly wide variety) is that not every page had a text box, so I couldn’t label all the places I shot.
This is the centerfold.
22 May 2013 Leave a comment
I shot this roll a while ago but didn’t sent it to Dwayne’s right away; I find it more cost-effective to send at least 2 rolls at a time. So I waited until I had another roll to go with it (which I will probably post tomorrow).
10 Apr 2013 Leave a comment
in Uncategorized Tags: 35mm, Arabi, drugstore film processing, Fuji Superia 400, LeBeau Plantation, louisiana, Pink Slim Dress, St. Bernard Parish, Superheadz, the trials and tribulations of small town life, Vivitar Ultra Wide & Slim, Walgreen's
(The Pink Slim Dress is the SuperHeadz knock-off of the Vivitar Ultra Wide & Slim; it has the camera’s exact body and 22mm lens, but not its annoying habit of an extremely easily broken film advance. It comes in a variety of colors.)
I take my color 35mm to… Walgreen’s. I know, I know. Their ignorance of photography actually works to the Lomographer’s advantage, because they don’t try to “correct” screwy film. They just develop it and slap it on a CD. But lately I’ve been having trouble with them. One roll came back with the colors all muddy, which almost certainly means they were using old chemicals. And 2 of them had weird spots, like water spots, all over the prints. They tried to tell me the film was damaged. 2 rolls seems doubtful, but they were from the same package, so… not impossible?
I decided the problem wasn’t so much with “Walgreen’s” as it was with “the Abbeville Walgreen’s”. This isn’t a very big town, and there isn’t a deep talent pool to draw from, which is probably why our local Chili’s can’t get a simple hamburger right. (Seriously, every 6 months there’s an “under new management” banner out front, every time my parents try it out, and every time they come home and are like “Yeah, no, it’s still terrible”.) I mean, the woman whose name tag says she is the “photography dept manager” once told me they couldn’t cross-process my slide film (which I had had done there like, 20 times at that point) because their machines couldn’t handle E-6 “size” film, only C-41. I patiently explained to her that E-6 and C-41 aren’t sizes, they’re chemical processes. The size of both films is 35mm.
So I took this roll (and the roll I shot in the Smena 8M) to the Walgreen’s in Lafayette. And even though this roll was from the same batch of film as the 2 that had spots on them, it’s spotless. So I think I’m going to take it there from now on.