(The Pink Slim Dress is the SuperHeadz knock-off of the Vivitar Ultra Wide & Slim; it has the camera’s exact body and 22mm lens, but not its annoying habit of an extremely easily broken film advance. It comes in a variety of colors.)
I take my color 35mm to… Walgreen’s. I know, I know. Their ignorance of photography actually works to the Lomographer’s advantage, because they don’t try to “correct” screwy film. They just develop it and slap it on a CD. But lately I’ve been having trouble with them. One roll came back with the colors all muddy, which almost certainly means they were using old chemicals. And 2 of them had weird spots, like water spots, all over the prints. They tried to tell me the film was damaged. 2 rolls seems doubtful, but they were from the same package, so… not impossible?
I decided the problem wasn’t so much with “Walgreen’s” as it was with “the Abbeville Walgreen’s”. This isn’t a very big town, and there isn’t a deep talent pool to draw from, which is probably why our local Chili’s can’t get a simple hamburger right. (Seriously, every 6 months there’s an “under new management” banner out front, every time my parents try it out, and every time they come home and are like “Yeah, no, it’s still terrible”.) I mean, the woman whose name tag says she is the “photography dept manager” once told me they couldn’t cross-process my slide film (which I had had done there like, 20 times at that point) because their machines couldn’t handle E-6 “size” film, only C-41. I patiently explained to her that E-6 and C-41 aren’t sizes, they’re chemical processes. The size of both films is 35mm.
So I took this roll (and the roll I shot in the Smena 8M) to the Walgreen’s in Lafayette. And even though this roll was from the same batch of film as the 2 that had spots on them, it’s spotless. So I think I’m going to take it there from now on.